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	<title>Comments on: The Soundtrack Of Our Lives</title>
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	<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/</link>
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		<title>By: Marin</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-433576</link>
		<dc:creator>Marin</dc:creator>
		<pubDate>Sun, 30 Oct 2011 10:11:20 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-433576</guid>
		<description>TELEVIZIJA I ANTITELEVIZIJA??</description>
		<content:encoded><![CDATA[<p>TELEVIZIJA I ANTITELEVIZIJA??</p>
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		<title>By: The Soundtrack Of Our Lives : The New Nixon: News and Commentary about the President, his Times, and his Legacy</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-114939</link>
		<dc:creator>The Soundtrack Of Our Lives : The New Nixon: News and Commentary about the President, his Times, and his Legacy</dc:creator>
		<pubDate>Sun, 13 Sep 2009 07:12:28 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-114939</guid>
		<description>[...] in June (followed by his death in his swimming pool on 3 July.  (For the Soundtracker&#8217;s own brief &#8212;and clueless&#8212; encounter with Brian Jones, see &#8220;Soundtrack 11&#8243; (“Chain of Fools” and “Jumpin’ Jack Flash”).   Mick [...]</description>
		<content:encoded><![CDATA[<p>[...] in June (followed by his death in his swimming pool on 3 July.  (For the Soundtracker&#8217;s own brief &#8212;and clueless&#8212; encounter with Brian Jones, see &#8220;Soundtrack 11&#8243; (“Chain of Fools” and “Jumpin’ Jack Flash”).   Mick [...]</p>
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		<title>By: A House By Any Other Name : The New Nixon: News and Commentary about the President, his Times, and his Legacy</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-2186</link>
		<dc:creator>A House By Any Other Name : The New Nixon: News and Commentary about the President, his Times, and his Legacy</dc:creator>
		<pubDate>Fri, 26 Sep 2008 18:48:22 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-2186</guid>
		<description>[...] couple of weeks ago, in the Soundtrack of Our Lives dealing with the Rolling Stones&#8217; &#8220;Jumpin&#8217; Jack Flash&#8221; I included their song &#8220;Play With [...]</description>
		<content:encoded><![CDATA[<p>[...] couple of weeks ago, in the Soundtrack of Our Lives dealing with the Rolling Stones&#8217; &#8220;Jumpin&#8217; Jack Flash&#8221; I included their song &#8220;Play With [...]</p>
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	<item>
		<title>By: John H. Taylor</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-1918</link>
		<dc:creator>John H. Taylor</dc:creator>
		<pubDate>Thu, 18 Sep 2008 05:42:45 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-1918</guid>
		<description>Some things never change: Keith plays a Telecaster (a black one) on the version of &quot;JJF&quot; that opens the concert featured in &quot;Shine A Light.&quot;</description>
		<content:encoded><![CDATA[<p>Some things never change: Keith plays a Telecaster (a black one) on the version of &#8220;JJF&#8221; that opens the concert featured in &#8220;Shine A Light.&#8221;</p>
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		<title>By: Andy Guilford</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-1845</link>
		<dc:creator>Andy Guilford</dc:creator>
		<pubDate>Mon, 15 Sep 2008 12:47:12 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-1845</guid>
		<description>1968 - The most significant year of the last half of the 20th century.

Aretha - The most significant soul singer, ever.

The Stones - The world&#039;s greatest rock and roll band, ever.

Aftermath - The greatest rock album, ever.

Dean Martin - Must have been out-of-his-head drunk when evaluating the Stones.

Thanks for the memories, and reminding us that, &quot;The musical roots of these English lads —blues and rhythm and blues— lay deep in American soil.&quot;</description>
		<content:encoded><![CDATA[<p>1968 &#8211; The most significant year of the last half of the 20th century.</p>
<p>Aretha &#8211; The most significant soul singer, ever.</p>
<p>The Stones &#8211; The world&#8217;s greatest rock and roll band, ever.</p>
<p>Aftermath &#8211; The greatest rock album, ever.</p>
<p>Dean Martin &#8211; Must have been out-of-his-head drunk when evaluating the Stones.</p>
<p>Thanks for the memories, and reminding us that, &#8220;The musical roots of these English lads —blues and rhythm and blues— lay deep in American soil.&#8221;</p>
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		<title>By: Frank Gannon</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-1840</link>
		<dc:creator>Frank Gannon</dc:creator>
		<pubDate>Mon, 15 Sep 2008 06:59:03 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-1840</guid>
		<description>My dear Canon T:

Your video exegesis is as excellent as your taste is refined.

You noticed and accurately interpreted every nuance of David Letterman&#039;s body language at the tailmost end of  my earlier RHCP post.  

And now you have precisely identified that smug sneer just barely bordering on a smile that led fathers from St. John&#039;s Wood to Knightsbridge to consider locking up their daughters --- well aware that &quot;moving in with mother&quot; was more likely to end up being the line of least resistance rather than the last stand.

And despite your modest deferral to Comrade Nedelkoff and myself, your skillful play of the beige Telecaster trump puts you far out in front of the pop culture sweepstakes.</description>
		<content:encoded><![CDATA[<p>My dear Canon T:</p>
<p>Your video exegesis is as excellent as your taste is refined.</p>
<p>You noticed and accurately interpreted every nuance of David Letterman&#8217;s body language at the tailmost end of  my earlier RHCP post.  </p>
<p>And now you have precisely identified that smug sneer just barely bordering on a smile that led fathers from St. John&#8217;s Wood to Knightsbridge to consider locking up their daughters &#8212; well aware that &#8220;moving in with mother&#8221; was more likely to end up being the line of least resistance rather than the last stand.</p>
<p>And despite your modest deferral to Comrade Nedelkoff and myself, your skillful play of the beige Telecaster trump puts you far out in front of the pop culture sweepstakes.</p>
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		<title>By: John H. Taylor</title>
		<link>http://thenewnixon.org/2008/09/14/the-soundtrack-of-our-lives-11/comment-page-1/#comment-1830</link>
		<dc:creator>John H. Taylor</dc:creator>
		<pubDate>Mon, 15 Sep 2008 01:17:30 +0000</pubDate>
		<guid isPermaLink="false">http://thenewnixon.org/?p=2061#comment-1830</guid>
		<description>This post: Whoa. The first Stones song I heard, at camp, was &quot;Play With Fire,&quot; and here it is. I can only imagine how frightened the parents of the industrialized world were while viewing that bizarre video -- the way Mick smiled during the chorus. I&#039;d always wondered about &quot;JJF,&quot; and there are the answers. Thank you, thank you. One thing: Keith&#039;s guitar talk notwithstanding, he plays a beige Telecaster in both the &#039;68 video (even scarier for mom and dad) and the classic Aretha clip. Guess his performance equipment was different from the recording.

Whoa.</description>
		<content:encoded><![CDATA[<p>This post: Whoa. The first Stones song I heard, at camp, was &#8220;Play With Fire,&#8221; and here it is. I can only imagine how frightened the parents of the industrialized world were while viewing that bizarre video &#8212; the way Mick smiled during the chorus. I&#8217;d always wondered about &#8220;JJF,&#8221; and there are the answers. Thank you, thank you. One thing: Keith&#8217;s guitar talk notwithstanding, he plays a beige Telecaster in both the &#8216;68 video (even scarier for mom and dad) and the classic Aretha clip. Guess his performance equipment was different from the recording.</p>
<p>Whoa.</p>
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